Rastafarian Symbolism In The Visual Arts Essay -- VIisual Arts Art

Rastafarian Symbolism In The Visual Arts flora Cited MissingNOTE BECAUSE OF CONCERN ABOUT RIGHTS, WE HAVE NOT BEEN ABLE TO gage THE IMAGES THIS ESSAY REFERS TO Art has the power of liberating man from certain(prenominal) drudgeries and their way of life. A man who was born in the ghetto cant afford to be a sunshine painter, his whole life is involved in getting across his ideas Rastafarianism, politics, downcast culture and all that. Even our meeting here now is an esthetic involvement. Some people do device with love here, politics in that respect and so forth now, to me art is one cosmic consciousness. The way you love, live, and dismantle the way you hate even your negative expressions con none a certain art-form. So I really do not separate my art from my other sphere of life.-RasT(Barrett,187) The words of RasT, captured by Leonard E. Barrett, Sr. in his book The Rastafarians, be an excellent representation of the Rastamans exertion to survive as an artist in Jamaica. Th ey in like manner reveal the union concept of Rastafarianism itself the idea that one is born with Rasta inside them, and a avowedly Rasta lives each second of every day in spiritual skin senses with Jah, Rastafari. One cannot be a Sunday worshiper of Rastafarianism. For the Rastafarian artist, every stroke of every painting or each chip of wood from the sculpture is inspired by Jah. Despite the problems such as pretermit of materials, and difficulties in getting exposure for their work, many members of the Rastafarian movement deplete turned to artistic expression in order to convey the Rastamans message, and also as a means of out-letting their spirituality. These expressions include visual art, music, and poetry. In several(prenominal) cases, the Rastas use their artistic ability to create crafts an... ...t understand the symbolism and the thoughts that argon put into such incredible displays of talent. The Rastafarians have contributed so much to their countrys culture that goes by unnoticed. In the words of BarrettGreat social usings are not always made in the halls of parliament or in the citadels of learning. These institutions but react to the dreams of the creative mass. Some of the most creative trends in nations development are born in the dreams of the visionaries, the radicals, the seers, and the charismatic prophets.(Barrett, 266). Many of these prophets are artists, and their beliefs are so strong that they are able to rise out of the pauperization they live in and project their messages anywhere they will go. The Rastaman will be heard, and through the symbolism discussed in the previous pages, he can be heard. If only people will listen, and look.